My current practice operates at the intersection of textiles, social practice, and critical inquiry, with a focus on memory, materiality, and collective making. Working predominantly with found, remnant, and inherited fabrics, I explore how textiles function as carriers of embodied histories, holding traces of use, care, and lived experience across time.
Informed by studies in human rights and the social sciences, my work is grounded in questions of agency, representation, and belonging. I am particularly interested in how participatory and material practices can create conditions for storytelling that are relational, and community-led. Through this lens, textiles become both medium and method: a way of convening, listening, and producing knowledge collectively.
Alongside my studio practice, I facilitate community-based textile programs with asylum seeker and refugee women, as well as the general public. These projects centre skill-sharing, cultural exchange, and co-authorship, positioning making as a site of connection and mutual care rather than extraction. This work reflects an ongoing commitment to socially engaged practice that prioritises trust, accessibility, and reciprocity.
My work spans exhibition-making, workshop facilitation, and collaborative projects across arts and community contexts. Whether producing installations or intimate, process-driven works, I engage slow, iterative methodologies that foreground process as much as outcome.
Across all aspects of my practice, I return to a central concern: how creative work can hold space for complex lived experiences while fostering forms of collective presence, care, and connection.
To learn more about my current keepsake project, click here.
Please get in touch directly for available works and commissions or to be part of the keepsake project: email, socials or website.